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If you’ve recently tried stream hits by Adele, Nirvana, Bob Dylan, or Green Day on YouTube, you might have noticed something frustrating: they’re unavailable. YouTube has blocked access to songs by these major artists and others due to a legal conflict with SESAC, a U.S.-based performing rights organization. This sudden move has left both music lovers and content creators grappling with the sudden disappearance of some of their favorite tracks on the platform.

 

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At the heart of the dispute is a licensing agreement between YouTube and SESAC that recently expired. The two sides were locked in negotiations to renew the deal but could not reach an agreement before the contract’s expiration. Without a valid license in place, YouTube took the step of blocking content associated with SESAC in the U.S. in order to comply with copyright laws.

 

SESAC, or the Society of European Stage Authors and Composers, was founded in 1930 and is one of the three major performing rights organizations in the U.S. It plays a crucial role in collecting royalties and enforcing copyright protections for its artists. According to its website, SESAC licenses the public performance of over 1.5 million songs for more than 15,000 affiliated songwriters, composers, and music publishers. These include renowned artists such as Bob Dylan, Neil Diamond, Adele, Jack Harlow, Ariana Grande, and many more.

 

The impact of the blockage has been far-reaching. From Adele’s stirring ballads to Bob Dylan’s folk anthems, many songs have disappeared from YouTube, leaving users—especially premium subscribers—frustrated by messages like, “This video contains content from SESAC. It is not available in your country.” For millions who rely on YouTube as their primary music platform, this has caused a significant disruption. The effect on artists is equally concerning. YouTube is not just a streaming service—it’s a vital tool for reaching audiences, generating revenue, and building fanbases. For independent creators, in particular, the loss of access could lead to a substantial reduction in exposure and income, especially in today's digital-first music environment.

 

Despite the standoff, both YouTube and SESAC have expressed hope for a resolution. A spokesperson for YouTube noted that the company had “held good faith negotiations” with SESAC to renew their contract but couldn’t reach an agreement in time. They added that YouTube takes copyright issues seriously and is continuing conversations with SESAC in hopes of striking a new deal. SESAC, too, has indicated a willingness to resolve the matter, though no official statement has been issued about the ongoing discussions.

 

This dispute is reminiscent of a similar situation earlier in the year when Universal Music Group pulled four million songs—including tracks by artists like Taylor Swift, Bad Bunny, and Adele—from TikTok. This move led to a months-long standoff between the two companies before an agreement was finally reached. These conflicts underscore the growing complexity of music licensing in the digital age, as streaming platforms must navigate the delicate balance between fairly compensating artists and maintaining easy access to music for users—making such negotiations both challenging and, at times, contentious.

 

As these negotiations drag on, how do you feel about this issue? How long will we be waiting to hear our favorite tracks back on YouTube? Could this dispute lead to bigger changes in how music is licensed on streaming platforms? 

 

 

Image: Nikkimeel | Dreamstime.com

 

 

 

 

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